
Shape the story
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing worksAt PAVEL LUNGU, post-production is one person with a clear brief and a deadline that holds. Edit, grade, finish — delivered in writing.
Scope, price and date agreed in writing before any work starts.
One person answers your emails, not a queue.
Notes in plain sentences, never vague adjectives.
Your footage stays yours. Always.
These three cover nearly every request we receive. Each starts the same way: a written brief and a fixed quote.

Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
PAVEL LUNGU is a one-person post house, run by PAVEL LUNGU out of Chișinău, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
We don't chase volume. We take on a handful of projects each month, write everything down, and finish what we start. That's the whole method.
Footage, deadline, goal. We confirm what we need and lock the scope.
Everything you asked for: masters, formats, captions, clean folders.
You get a first cut for feedback, then structured revision rounds until the brief is met.
A written list of what is in, what is out, and what changes cost. Locked before we start.

The extra half-second that turns a competent cut into one that breathes.
Read the piece
Get one face right and the whole scene will follow — how to use skin as your reference point.
Read the piece
Catchlights, iris detail and the difference between clean and lifeless.
Read the pieceThree years of raw family footage, one shared drive, one editor who made it into a film we actually watch.
A one-person studio that handled three projects at once without mixing a single note.
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Send a brief and a deadline. You'll get a fixed quote back within one working day.